Category Archives: Quilt Tips & Tutorials

Tips and tutorials about anything and everything to do with quilting

Blendoku Screenshots

Thanks to Yeong Hao Han for replying to my post yesterday about Blendoku, the fabulous new game for color addicts, in which I was given permission to post screenshots for the game:

Blendoku game in progress

Blendoku game in progress

 

Blendoku game completed

Blendoku game completed

If these don’t convince you, nothing will!  Available on GooglePlay and from the Apple App Store!

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Filed under Art, Quilt Tips & Tutorials

BLENDOKU: Color is the Hottest Game in Town

Feeling a bit under the weather for the last week due to a nasty head cold (now improving rapidly), I took advantage of the opportunity to play with my iPad a bit. Looking for a good crossword puzzle app (see this for what I discovered), I came across a game called Blendoku.

I tell you, I am SOOOO excited about this game!! This has GOT to be one of the best EVER teaching tools for helping ANYONE learn more about the practical aspects of color and value that I have ever seen!

Although the game is intuitive, based on arranging colored tiles correctly in sequence to fill gaps in a predetermined map, the lessons it teaches about how colors shift from one to another will help you comprehend how and why colors work the way they do. Not only must you learn how to work your way around and across the color wheel, but you must cope with the demands of the value scale as well. As one reviewer noted this is a “fun game with real science behind it!”

I teach the importance of color and value and how to use them in all of my international quilt workshops and online quilt classes at Quilt University, except for Math for Quilters where it’s hardly relevant.  Questions and answers about color gradations form the backbone of my Darned Quilts classes.  I also have a lecture called “World of Color” that I will be presenting at the Taupo Symposium in New Zealand later this year.

I’m going to be telling ALL my students and followers about this fabulous opportunity to play their way into greater color comprehension.  Blendoku is simply FABULOUS, by my way of thinking!

Sadly, I fear posting a photo of this game might violate somebody’s copyrights, so the best I can do is to offer one of my Designer Gradation bundles as available from WebFabrics to give you some idea of what to expect from Blendoku:

French Fancy Designer Gradation from WebFabrics

French Fancy Designer Gradation from WebFabrics

One look at the game’s screenshots will immediately convince you this is a game EVERY quilter ought to play!!  Available for some devices from GooglePlay and for all iPads from the App Store, the game is presently FREE!!

Get your copy while it’s HOT!!

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Whole-Cloth Quilts and Mixed Patchwork Techniques in Quilt Competitions

Friends and readers often email me and sometimes they ask questions relevant to patchwork quilters everywhere.  The discussion below is one such correspondence.  If you are interested in competition quilting and whole-cloth quilts, you may find both the questions and my responses informative:

I am trying to find out a few facts about different aspects of quilt competitions.  Can you please help me as you are a judge and experienced in this field?

I’m happy to help.

"Lamu," whole-cloth quilt by Dena Crain

"Lamu," whole-cloth quilt by Dena Crain

For a whole-cloth quilt, can I use a whole fabric which has a theme print on it (flowers, houses, etc.) and quilt it intricately as one piece and enter in this competition?

The beauty of whole-cloth quilts is generally to be found in the quilting design and stitching.  You should consider, as you make this decision, whether your quilting design and beautiful stitching will show up best on a printed fabric or on a solid color fabric.  If you intend merely to outline the shapes that are printed on the quilt top fabric, I fear the element of quilt design will be minimized, and the stitching will disappear into the print.  I would not recommend using a printed fabric as a whole-cloth quilt for competition unless you do something remarkable with it, something that shows you clearly understood the issues at stake and that you are deliberately making a powerful statement with this piece.

"Wanyama," whole-cloth quilt by Dena Crain

"Wanyama," whole-cloth quilt by Dena Crain

"Wanyama," whole-cloth quilt by Dena Crain (detail)

"Wanyama," whole-cloth quilt by Dena Crain (detail)

For the mixed technique category, is there a requirement for minimum number of techniques that have to be used or do any other rules apply to enter the piece in this competition?

I would think this category permits quilt tops that have been executed as both appliqué and piecing, the two forms of patchwork.  A mixed techniques category would be for quilts that go beyond the requirements for either appliqué or piecing by combining elements of both.  It is not a reference to “mixed media,” as defined in the world of fine art, which would permit painting, dyeing, found objects, crayon, pen, etc.

I am flattered that you ask my opinion on these matters.  However, you are well advised to consult with the competition organizers if you have any questions about their requirements, categories or definitions.  They will have specific ideas about what they are looking for, and they will be happy to communicate with you further to help you avoid any misunderstandings.

Thanks in advance.

You’re most welcome.  Good luck, and let’s hope you win!!

If you have questions about patchwork quilting, feel free to email me using the Contact Form.  I will be happy to respond directly to you, and to share our chats here with other quilters around the world.  Thanks!

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Filed under Quilt Judging, Quilt Tips & Tutorials

New Free Tutorial: How to Store a Quilt

There is a new free tutorial on my blog: HOW TO STORE A QUILT.  It gives concise advice, based on formal training and practical experience, on how best to store quilts for long periods of time, as well as how to fold and pack quilts for traveling.  I hope everyone who makes or owns patchwork quilts will read this tutorial and heed the advice it gives.

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Seamless Binding Success Story

What a pleasant surprise!  I am in Nairobi, and a lady who lives across the street, April, is a friend, fellow quilter and member of the Kenya Quilt Guild.  She rang me just now to tell me she had followed my tutorial for Seamless Quilt Binding, and that she was delighted with the outcome of her seamless bound quilt!

April said that when she first looked at the instructions, she felt baffled and thought the process was terribly complicated, but she persisted, made a couple of small samples, and then tackled the quilt.  She said the binding went on with great ease and she’s just thrilled!

I asked April to bring along the quilt to the next Kenya Quilt Guild meeting and show everyone else her success.  She said she would, but that seems a very long time to wait to see it.  I may have to go for a walk in a few minutes . . .

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Filed under People, Quilt Groups, Quilt Tips & Tutorials

The Power of Influence

As artists, we often speak of inspiration and its sources.  Topics like nature, landscapes, people and politics arise repeatedly.  Certainly these sources of inspiration are fundamental to self-expression.  Without them what would we express?

Often overlooked, however, is the power of influence.  Key to our understanding and, more importantly, to our realization of its potential is our recognition of influence in our lives as well as in our work.

How do we recognize the sources and effects of influence?  We must first look for them!

Turn your mind’s eye inward.  Whom can you see there who has had a powerful influence on your work, on your life?  The two, work and life, are one for an artist.  As a dear friend, also an artist, once said to me, “Art is not an occupation; it is a lifestyle.”

Consider first the obvious powerful influence in your life, your parents.  Think about how their attitudes and behaviors helped shape you as both person and artist.  How powerful was their influence?  Was it a positive influence?  How so?  What steps can you take today that can lead you forward as you seek to achieve your goals?

For example, my mother always encouraged me to “be an individual–do not just follow the crowd.”  That advice led me to Africa, caused me to stand apart from others, to create my own identity, and to be a leader rather than a follower.

How do I use that influence today?  I take a leadership role in my guild, live in a remote part of the world, brand my persona through my blog and design quilts my way.

What positive influence in your life can you attribute to your parents, and how can you better maximize the essence of that influence in your life and in your quilting?

What, if any, negative influence did you receive from your parents?  Can you now view that past influence dispassionately, come to terms with it and turn it around so that it benefits you in the present?

When I was a teenager, my father insisted that I must learn to touch type.  He wanted me to study shorthand as well, but sadly, I never did.  Dad’s logic was that if I did not go to college and was ever in need of financial support I “could always find work as a secretary.”

Youthful pride and ambition in a world where women’s job opportunities were largely limited to nursing, teaching and secretarial work, I resented and resisted Dad’s advice.  I did, however, get my touch typing skill up to 70 wpm, a level that has stood me in good stead through university papers and reports.  It underlies my comfort and success with computers, makes it possible for me to manage my blog easily and helps me write articles for quilting magazines even today!

Dad had more vision that I credited him for at the time.  I deeply regret not studying shorthand when I had the chance.  If I had, I would now be able to capture even these thoughts as quickly as they occur to me.

From parents and perhaps siblings, we can extend our consideration of the power of influence to teachers and spiritual mentors, those who assisted our parents in the upbringing of children within their communities.  Look again for the many ways words of advice from those special people so many years ago continue to direct your footsteps today.  Look at both positive and negative influences and how each of use can now observe from a distance and redirect or capitalize on those influences in our lives and work.

More relevant to our discussion here, think about the people who have had the greatest influence on your quilting.  Maybe your grandmother or your mother taught you to make patchwork quilts.  How much of what you learned from them have you re-examined, discarded or expanded upon?

What quilt classes or workshops have you attended?  Which teachers were your favorites?  Why?  What made those teachers special to you?  What influence did each have on your work and how has that influence affected the outcome of your pieces?

The teacher who had the most profound effect on my attitudes toward quilting was Nancy Crow.  For me, Nancy “opened the door.”  She showed me that it was possible and acceptable to think about quilting in a different way, to go beyond mere acceptance of the norm and to challenge every assumption.  This influence and its effect on my life and work is a debt I can only humbly acknowledge.  I can never repay it except by “passing it forward.”

Click on the link to visit Nancy Crow’s Web site and view her work.  Then compare what you see there with my own.  It may be difficult for you to see any similarity between the two styles of design, but to a large extent, my work is based on what Nancy taught me many years ago.  We have each moved on since then, and moved in very different directions, but Nancy’s influence on my work was truly profound.  Thank you, Nancy!

Redefinitions I, art quilt by Dena Crain

Redefinitions I, art quilt by Dena Crain

 

Redefinitions II, art quilt by Dena Crain

Redefinitions II (work in progress), art quilt by Dena Crain

When someone special in your life exerts a strong influence over your or your work, receive that influence with humility.  Indeed, you may not even recognize its important at the time.  You may have to wait some while before you will sense its presence.

Once you see that influence, though, push it forward.  In your heart, you know that person’s words rang true.  Look more closely at them, search for deeper meanings, reveal and understand them in the light of greater awareness.  Then look for ways you can add to those thought, use the ideas, teach and stretch yourself.

The power of influence can be a wicked tool of evil when used for wrong.  Used for right, it is one of the greatest gifts we can receive and share.  Understand the influences in your life and use them well!

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Filed under Quilt Teachers, Quilt Tips & Tutorials, Uncategorized, Women

Sexy Silken Secret

You want to sew with silk?  Without the hassles of stabilizing first with fusible interfacing?

That’s what I wanted to do, too.  So, I sought a stitch on my sewing machine that would sew and secure the raw edges at the same time.

Not entirely satisfied with the results, I set up my serger.  I soon saw that the serger would secure the edges and stop fraying before it started.

Serged silk

Serged silk

The secret is that you must serge each patch or section as soon as you cut it.  Serge first; then sew all seams safely and securely as usual.

So, what’s sexy about sewing with a serger?  Absolutely nothing, but I wanted to grab your attention.

It worked, didn’t it?!

;-)

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